Fairuz Ghammam
Fairuz Ghammam graduated as an experimental filmmaker at a time when categorisation was still fashionable. She is an editor, cinematographer and director working across genres and formats. In her practice, Fairuz mainly explores (auto)biography, dialogue, predetermination, abundance & scarcity, shared authorship and collaborative practices. She equally loves well balanced steady high-def shots and lo-fi trash – self-made or found – as long as the poetry shines through.
Join Ilona Jurkonytė, curator of the programme Ultramarine: The Sea as Political Space and Artistic Director of the Kaunas International Film Festival, Lithuania, for an informal discussion.
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A dive, the midday sunlight filtering down through the water. The air in
her lungs has to last until she can dislodge the abalone. Dives like
these have been carried out in Japan for over 2000 years by the Ama-San, that literally translates “women of the sea”.
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An essay in five parts, Evaporating Borders offers a series of vignettes, poetically guided by the filmmaker’s curious eye and personal reflections. Through the people she encounters along the way, the film dissects the experience of asylum seekers in Cyprus : A PLO activist and exile from Iraq is denied asylum within 15 minutes; neo-nazi fundamentalists roam the streets in an attack on Muslim migrants; activists and academics organize an antifascist rally and clash with the neo-nazis; 195 migrants drown in the Mediterranean.
