Abdessamad El Montassir
Abdessamad El Montassir (1989, Morocco) lives and works between Boujdour and Marseille. His research-based practice is anchored in a trilogy of concepts: the right to forget, visceral narratives, and the trauma of anticipation. In his body of work, El Montassir sets reflexive processes that invite us to rethink history through collective or fictional narratives and immaterial archives. He has participated in several national and international exhibitions, including Invisible curated by Alya Sebti for the 13th Biennale of Contemporary African Art of Dakar and for ifa-Galerie in Berlin, De liens et d’exils at La Villa Empain – Fondation Boghossian in Brussels, Al Amakine in the context of 11ème Rencontres de Bamako, Saout Africa(s) in the context of the documenta 14 at SAVVY Contemporary in Berlin, among others. El Montassir also participated in various artist residencies such as the Art, Science and Society program at IMéRA in Marseille, La Cité Internationale des Arts in Paris, the summer’s lab at Le Cube – independent art room in Rabat and the Résidence Méditerrannée at La Friche La Belle de Mai in Marseille.
Join Hardeep Pandhal and Amanprit Sandhu for an informal discussion
Run Time
A dive, the midday sunlight filtering down through the water. The air in
her lungs has to last until she can dislodge the abalone. Dives like
these have been carried out in Japan for over 2000 years by the Ama-San, that literally translates “women of the sea”.
Run Time
Run Time
Join Ilona Jurkonytė, curator of the programme Ultramarine: The Sea as Political Space and Artistic Director of the Kaunas International Film Festival, Lithuania, for an informal discussion.
Run Time
An essay in five parts, Evaporating Borders offers a series of vignettes, poetically guided by the filmmaker’s curious eye and personal reflections. Through the people she encounters along the way, the film dissects the experience of asylum seekers in Cyprus : A PLO activist and exile from Iraq is denied asylum within 15 minutes; neo-nazi fundamentalists roam the streets in an attack on Muslim migrants; activists and academics organize an antifascist rally and clash with the neo-nazis; 195 migrants drown in the Mediterranean.
Run Time
Run Time
Run Time
Take the Credits! works from the idea that the final moments of a film — where, conventionally, a point of resolution has been reached, music plays and the credits roll — could become a climactic centre piece to a period of experimentation and collaborative making.
We will run short, drop-in workshops producing texts/scripts, images, objects/props and video that will gradually fill the venue with an installation.
Run Time
Run Time
Run Time
Run Time
Run Time
Run Time
Run Time
Run Time
Run Time
Run Time
The Young Filmmakers’ Competition is back for its 9th year! BFMAF encourages and supports budding young filmmakers in the region through separate competition streams: The Young Filmmakers’ Award (14 years and under) and The Chris Anderson Award (15-19 years old). The Chris Anderson Award is supported by Chrissie Anderson and Paul W.S. Anderson, director of Resident Evil and Alien vs. Predator.
Run Time
Run Time
Run Time
Run Time
