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Year

Programme

Venue

Filmmaker

Country

427 Results
21 September 2017

A dive, the midday sunlight filtering down through the water. The air in
her lungs has to last until she can dislodge the abalone. Dives like
these have been carried out in Japan for over 2000 years by the Ama-San, that literally translates “women of the sea”.

Run Time

124 mins
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21 September 2017

An essay in five parts, Evaporating Borders offers a series of vignettes, poetically guided by the filmmaker’s curious eye and personal reflections. Through the people she encounters along the way, the film dissects the experience of asylum seekers in Cyprus : A PLO activist and exile from Iraq is denied asylum within 15 minutes; neo-nazi fundamentalists roam the streets in an attack on Muslim migrants; activists and academics organize an antifascist rally and clash with the neo-nazis; 195 migrants drown in the Mediterranean.

Run Time

84 mins
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21 September 2017

Take the Credits! works from the idea that the final moments of a film — where, conventionally, a point of resolution has been reached, music plays and the credits roll — could become a climactic centre piece to a period of experimentation and collaborative making.

We will run short, drop-in workshops producing texts/scripts, images, objects/props and video that will gradually fill the venue with an installation.

Run Time

480 mins
More Info
25 September 2016

The Young Filmmakers’ Competition is back for its 9th year! BFMAF encourages and supports budding young filmmakers in the region through separate competition streams: The Young Filmmakers’ Award (14 years and under) and The Chris Anderson Award (15-19 years old). The Chris Anderson Award is supported by Chrissie Anderson and Paul W.S. Anderson, director of Resident Evil and Alien vs. Predator.