Helena Solberg
Helena Solberg is a pioneer of political documentary and a rare feminist presence to emerge from the Cinema Novo movement in Brazil in the 1960s. Born in São Paulo, Solberg began her career in the late 60s with two short films that would become defining depictions of the era, before going on to produce a seminal body of work concerned with the interconnected social, political, and representational issues facing women and the Latin American diaspora.
Her debut short, The Interview (1966), now considered the first Brazilian feminist film, and second short fiction film Noon (1969) garnered Solberg international recognition, with invitations to film festivals that kick-started her wider career.
Since moving to the United States in 1970, she has directed and produced many short and feature-length documentaries. Throughout the 1980s, she directed films broadcast nationally on the PBS network, and has continued to make work between the United States and Brazil up until the present day. Her work has won numerous prizes and been selected for festivals internationally including in Melbourne, Rio, Nyon, Havana, Chicago, and New York amongst many others.
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Celebrating our region’s young filmmakers, BFMAF presents shorts in competition for a cash prize and two prestigious awards: The Young Filmmakers Award and The Chris Anderson Award.
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Our Awards programme is central to the Festival and represents some of the most exciting and ambitious contemporary filmmakers working today.
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Once in the XX Century is a gallery-based exploration of the oeuvre of Lithuanian filmmaker Deimantas Narkevičius. The works included in the exhibition are:
Seamus Harahan presents Fucking Finland, an anthology of film freshly completed for his Festival commission.
With a hand-held video camera and armed with a painter’s eye and a musician’s ear, Harahan’s journey begins in Suomenlinna, an inhabited Finnish sea fortress with obvious parallels to Berwick, and traces a line across to Tallinn, Estonia and then on to Rostock, Germany.
With a hand-held video camera and armed with a painter’s eye and a musician’s ear, Harahan’s journey begins in Suomenlinna, an inhabited Finnish sea fortress with obvious parallels to Berwick, and traces a line across to Tallinn, Estonia and then on to Rostock, Germany.
The ferry connecting Hanko and Rostock becomes a melancholic pop metaphor for the old Iron Curtain era, creating audacious – maybe even insolent – links between places that were enveloped in two different and opposing ideological blocks not that long ago.
The Fucking Finland Series is supported by the Elephant Trust.
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A pick ‘n’ mix bag of some of the best short animations from all over the world – all dialogue-free and specially selected to delight the whole family, from age three upwards.
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From hundreds of entries responding to our Border Crossing theme, we bring you some of the best short films and artists’ videos from across the world as part of the 2nd Inntravel Short Film Award.
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Join us for a celebration of young filmmaking talent from across North East England and South East Scotland.
