A quiet, atmospheric portrait of an elderly store owner in the small town of Yagi, Kyoto Prefecture. Yu Araki’s camera carefully observes the curiously named Mr. Yagi’s daily routine and interactions with local customers during the last autumn season for his shop, which is no longer in business. Documenting the passage of time in parallel with processes of depopulation, the title Tempo conjures a double meaning; playing on the Japanese word “tenpo (店舗)” which means “store”.
The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.
A programme of short works traversing hallucinatory dreamscapes, contested landscapes, and the precarious movements of bodies through time and space. Argentinian auteur Lucrecia Martel screens alongside contemporary artists, Basim Magdy, Marwa Arsanios and Fox Maxy.
A series of hypnotic, fragmentary encounters reflecting on creativity, desire, identity and transformation. Forms of transgressive potentiality are explored through poppers training videos, VHS tapes documenting an esoteric musical subculture, and a night of ritual shapeshifting in a Boston parking lot.